Wednesday, November 4, 2020

Fwd: [ICVPB2020 Calls] Register for a major online event in Voice Sciences - ICVPB2020 2-4 Dec



 
12th International Conference on Voice Physiology and Biomechanics
Celebrating 40 years of scientific advances in Vocal Fold Physiology and Biomechanics

02-04th December 2020 - a major online event in Voice Sciences

Dear colleagues,
 
ICVPB 2020, the 12th Edition of the International Conference on Voice Physiology and Biomechanics, will take place from Wednesday 2nd of December to Friday 4th of December 2020 as an online event.

Altogether we will celebrate the 40th anniversary of scientific advances in Vocal Fold Physiology and Biomechanics. 

The detailed scientific program can be found on the conference website : https://icvpb2020.sciencesconf.org/program

Five keynote lectures are programmed : Pr. Ingo Titze, Pr. Brad Story, Pr. Sten Ternström, Pr. Caroline Boudoux and Pr. Jan Svec. See https://icvpb2020.sciencesconf.org/page/keynote for more detail.

Six main sessions and a large poster session are proposed, covering all areas of voice sciences.

You are invited to register to participate in this major event on voice sciences : https://icvpb2020.insight-outside.fr
The registration fee is €100. All registered participant will have access to the live event (zoom meeting) and to the recordings of the sessions.

We look forward to seeing you online soon ! Please feel free to forward this email to those who might be interested.

Best regards,

Nathalie Henrich Bernardoni and Lucie Bailly
on behalf of ICVPB2020 Organizing Committee
https://icvpb2020.sciencesconf.org


--   **********************************************************     Nathalie Henrich Bernardoni, Ph.D.   CNRS Researcher Director / Directrice de Recherche CNRS   http://www.gipsa-lab.inpg.fr/~nathalie.henrich/       GIPSA-lab   Domaine universitaire de Grenoble   11 rue des Mathématiques   BP 46 - 38402 Saint Martin d'Hères cedex   FRANCE     Tél.  +33 (0)4 76 57 45 36    Fax. +33 (0)4 76 57 47 10   Courriel : Nathalie.Henrich AT gipsa-lab.fr   **********************************************************

Monday, November 2, 2020

Fwd: Opportunities for researchers at the British Science Festival 2021

Hi everyone,



Posting below some opportunities with the British Science Festival
which may be of interest to researchers on this list. Any questions,
do let me know.



We are now accepting Award Lecture applications for the 2021 British
Science Festival in Chelmsford from the 7-11 September. We are also
currently recruiting for a new Section Recorder volunteer in the field
of Science and The Arts



Call for Award Lecture applications



Are you, or do you know, an exceptional early career researcher?



Every year the British Science Association asks for applications for
the seven Award Lectureships available to early career academics who
are skilled at engaging people with their research. These Award
Lectures aim to promote open and informed discussion of science and
related disciplines. Awards are available in seven different areas:



· Social sciences



· Engineering, technology and industry



· Environmental sciences



· Agricultural, biological and medical sciences



· Physical sciences and mathematics



· Digital innovation



· Science and the arts



More information, including the application process can be found here:

https://www.britishscienceassociation.org/award-lectures

or you can contact Hannah at
hannah.lawrence@britishscienceassociation.org with any questions.



The selected lecturers receive an all-expenses paid trip to the
British Science Festival where they will present their lecture, as
well as public speaking coaching and a £250 honorarium. There may also
be other opportunities to present the Award Lecture at other science
festivals in the UK.



The deadline for applications is 17.00 3 December 2020.



Section Recorder vacancies



The British Science Association are looking for a new Section Recorder
volunteer in the field Science and The Arts.



If you're a professional in this area who is keen to engage the public
with cutting-edge research on a national platform and expand your
networks - then this could be the opportunity for you.



As part of this role, you'll work alongside the British Science
Festival team to develop relevant events for the Festival and advise
on advancements in your field. Each year the Festival brings thousands
of people together to excite, challenge and inspire.



The role offers budget to develop public events for the Festival, the
opportunity to expand your networks, exposure to new ideas and support
from the BSA who specialise in public engagement.



If anyone would like to discuss the opportunity just email Anna at
anna.woolman@britishscienceassociation.org



Deadline for expressions of interest is 17.00 on the 23 November. For
more information, including the (short) application process:
https://www.britishscienceassociation.org/current-vacancies-at-the-bsa



Best wishes,

Anna Woolman

she/her

Engagement Manager

A world where science is at the heart of culture and society.

t. +44 (0)20 7019 4957 m. +44 (0)77 9557 2830

165 Queens Gate, London, SW7 5HD

http://www.britishscienceassociation.org

@BritSciAssoc



Registered charity: 212479 and SC039236

Thursday, October 29, 2020

Fwd: PhD funding @kingston

Dear friends and colleagues

The Department of Performing Arts at Kingston University London invites expressions of interest from strong researchers to join our PhD Programme in October 20
21. The department supports a lively research culture in music, dance and drama spanning both practice-based and written research.

Staff in music have particular interests in:

  • Musicology - Music philosophy, Musical fan cultures, Popular Musicology, 20th Century European Music (especially French)

  • Music in multimedia - Film and television music, Gothic, horror, fantasy and science fiction music, Intercultural arts research, translation and transfer across media in contemporary music

  • Creative practice research – composition in particular technology enabled modes


The department is host to the newly established Visconti Studio. Tapping into contemporary love of retro sounds, the Visconti Studio does not just revive objects but actively revives analogue practices. This venture combines questions around cultural nostalgia, heritage studies, and material culture with the concrete musical practices of composition, recording, and production. Further information on www.visconti-studio.co.uk
Funding is open to international applications


Further information on the AHRC/TECHNE funding programme can be found here:
http://www.techne.ac.uk

Guidelines for application, forms and
deadlines:

https://www.kingston.ac.uk/research/research-degrees/funding/techne/

Please contact me 
-  o.ben-tal@kingston.ac.uk - for further information and questions. The deadline for an initial proposal is 22/11 the final deadline is January 17th 


Fwd: [DMRN-LIST] CFP - Digital Music Research Network (DMRN) Workshop 2020


*** CALL FOR CONTRIBUTIONS ***

 

    DMRN+15: Digital Music Research Network 1-Day Workshop 2020

Virtually on Zoom and/or Slack

Queen Mary University of London

 

Tue 15 December 2020

 

http://www.qmul.ac.uk/dmrn/dmrn15/

 

 

The Digital Music Research Network (DMRN) aims to promote research in the area of Digital Music, by bringing together researchers from UK and overseas universities and industry for its annual workshop. The workshop will include invited and contributed talks and posters. The workshop will be an ideal opportunity for networking with other people working in the area. 

 

This year, keynote talks will be given by Philippe Esling (IRCAM), Dorien Herremans (Singapore University of Technology and Design) and Mariana Lopez (University of York).

 

* Call for Contributions

 

You are invited to submit a proposal for a "talk" and/or a "poster" to be presented at this event.

 

TALKS may range from the latest research, through research overviews or surveys, to opinion pieces or position statements, particularly those likely to be of interest to an interdisciplinary audience. Due to the online format, we plan to keep talks to about 10 minutes each, depending on the number of submissions. Short announcements about other items of interest (e.g. future events or other networks) are also welcome.

 

POSTERS can be on any research topic of interest to the members of the network. Posters will be displayed virtually (probably as slides rather than a poster format) in an asynchronous poster session (probably on Slack, as at ISMIR 2020).

 

The abstracts of presentations will be collated into a digest and distributed on the day.

 

* Submission

 

Please prepare your talk or poster proposal in the form of an abstract (1 page A4, using the template available from the DMRN+15 web page). Submit it via email to dmrn@lists.eecs.qmul.ac.uk giving the following information about your presentation:

  • Authors

  • Title

  • Abstract

  • Preference for talk or poster (or "no preference").  

* Deadlines

16 Nov 2020: Abstract submission deadline

01 Dec 2020: Notification of acceptance

13 Dec 2020: Registration deadline

15 Dec 2020: DMRN+15 Workshop

 

For further information, visit:  http://www.qmul.ac.uk/dmrn/dmrn15/

Enquiries: Alvaro Bort (a.bort@qmul.ac.uk)

--   Simon Dixon  Centre for Digital Music  School of Electronic Engineering and Computer Science  Queen Mary University of London  Mile End Road, London, E1 4NS, UK  http://www.eecs.qmul.ac.uk/~simond

Monday, October 26, 2020

Fwd: NMTC 2021 Extended Deadline - Call for Abstracts



Dear all, 

Due to multiple requests, the Scientific Committee for the 10th Nordic Music Therapy Conference is delighted to announce that the deadline for abstract submissions has been extended to November 16, 2020. 


We kindly ask that you forward this updated information to your applicable networks and associations. 

Should you have any questions, please feel free to get in touch with our organising committee at nmtc2021@gmail.com. 

Kind regards, 

Mikaela Leandertz
PhD Student
Department of Music, Art & Culture Studies
University of Jyväskylä


Fwd: [DMRN-LIST] Doctoral Research in Music Technology at Royal Birmingham Conservatoire



Doctoral Research in Music Technology at Royal Birmingham Conservatoire

AHRC Midlands4Cities PhD funding for UK and International applicants

 

The AHRC-funded Midlands4Cities Doctoral Training Partnership (M4C) brings together eight leading universities across the Midlands to support the professional and personal development of the next generation of arts and humanities doctoral researchers. M4C is a collaboration between the University of Birmingham, Birmingham City University, University of Warwick, Coventry University, University of Leicester, De Montfort University, Nottingham Trent University and The University of Nottingham. 

 

M4C is awarding up to 89 doctoral studentships for UK and International applicants for 2021 entry through an open competition and 21 Collaborative Doctoral Awards (CDA) through a linked competition with a range of partner organisations in the cultural, creative and heritage sector.

 

Royal Birmingham Conservatoire at Birmingham City University is inviting applications from students whose research interests connect with our fields of expertise, including Music Technology. Supervisory staff include Lamberto Coccioli and Simon Hall. Royal Birmingham Conservatoire hosts the Integra Lab and can support research in:

 

·         Electroacoustic and Live Electronic Music Composition and Performance

·         Musician-centred Interaction Design and Software Development

 

We are particularly interested in projects that focus on the design of novel music interaction paradigms, the development of the Integra Live software, the ethics of music technology and the sustainability of the live electronic music repertoire.

 

For details of the full range of Royal Birmingham Conservatoire staff and research specialisms offered, including for performance studies, music technology and musicology, please go to https://www.bcu.ac.uk/research/midlands4cities/music.

 

To develop an application for doctoral study at Royal Birmingham Conservatoire, please download the expression of interest form, which can be found at http://www.bcu.ac.uk/research/midlands4cities. This form, and any queries, should be sent to m4c@bcu.ac.uk by 30 November 2020.

 

The deadline for M4C funding applications is 13 January 2021 (noon), by which time applicants must have applied for a place to study and have ensured that two academic references are submitted using the Midlands4Cities online reference form. 

For full details of eligibility, funding, research supervision areas and CDA projects, and for dates of our November application writing workshops, please visit: https://www.midlands4cities.ac.uk/ or contact enquiries@midlands4cities.ac.uk

 


Monday, October 5, 2020

Fwd: Call for Submissions: Special Collection on the Role of Music Psychology Research in a Complex World

Call for Submissions

 

The Role of Music Psychology Research in a Complex World: Implications, Applications and Debates

A Music & Science Special Collection

Deadline: 31 December 2020

 

The study of the musical mind its associated behaviours has become increasingly socially conscious, with more emphasis on applications and values, and calls to reflect on music(king)'s capacity to afford (inter)subjectivity and empathy; to engage with music's global diversity, and to encourage interdisciplinarity communality. The special collection is particularly timely as recent years have seen rapid societal and cultural change on a global scale, which has impacted on priorities for the environment, education, community, wellbeing, politics, and social justice, as well as mounting concern about the rise of intolerance in an increasingly polarised society. This will be the first collection of papers in nearly a decade that (re)considers music psychology (in the broadest sense of the term) in light of current challenges, and seeks to foster discussion and debate about the role that music psychology might play in addressing them.

 

We invite submissions that address a wide variety of topics, methodologies, and questions, including (but not limited to):

 

•  (How) can music psychology understand and address current societal challenges?

•  What should a socially engaged music psychology look like today?

•  What are the urgent/difficult questions?

•  What new approaches to socially applicable research are there?

•  What key assumptions remain in the field and how might they be challenged?

•  Any paper that explicitly applies music psychological knowledge to address socially urgent research questions. 

 

The submitted manuscripts for this Special Collection will be peer-reviewed before publication.

 

More information can be found here: https://journals.sagepub.com/page/mns/special-collections/The-role-of-music-psychology-research-in-a-complex-world

 

Guest Editors: Prof. Karen Burland and Dr Emily Payne

 

Dr Emily Payne

Lecturer in Music

Assistant Editor, Music & Science

 

School of Music, University of Leeds, Leeds LS2 9JT, UK

https://ahc.leeds.ac.uk/music/staff/396/dr-emily-payne

A new guide to set up Jitsi Video Conferencing with high quality stereo audio playback is now available

A new guide to set up Jitsi Video Conferencing with High Quality Stereo Audio Playback is now available:

 

http://www.homepages.ucl.ac.uk/~rtnvrmp/JitsiStereo.html

 

High quality stereo playback is important when teaching or performing music via video conferencing. Jitsi Meet is a free, open source video conferencing tool which can be set up to facilitate the sending of high-quality audio in stereo. Unfortunately, Jitsi lacks the means of enabling these features from the standard web-based user interface. Instead, the initiator of a video call must append a series of configuration options to the Iitsi server address and room name as a ‘query string’. This technical note has been drafted in the hope that it might support musicians and teachers wishing to take advantage of these features of Jitsi. It is important to note that stereo sound using the steps outlined will only work with Firefox used on both the transmitting and receiving machines. This document is a work in progress and comments and corrections are welcome.

Thursday, August 6, 2020

Fwd: Nearing Deadline: Early Child Development and Care


CALL FOR PAPERS - NEARING DEADLINE

The journal Early Child Development and Care (Taylor & Francis) is happy to announce a "Call For Papers" to be included in a special issue titled: "Music In The Lives Of Young Children". The special issue will target music and its significance in young children's lives with a focus on music education and the musical experience of pre-school children. The Guest Co-Editors of this special issue are Professor Warren Brodsky, Director of the Music Science Lab in the Arts Department at Ben-Gurion University of the Negev (Beer-Sheva, Israel) and Professor Ioulia Papageorgi (Associate Professor and Associate Dean, School of Humanities and Social Sciences, University of Nicosia, Cyprus).  Authors from all related fields such as Music Education, Musical Development, Music Psychology, Ethnomusicology, Anthropology and Sociology of Music, and Music Therapy, are invited to submit original unpublished manuscripts describing empirical investigations for consideration.

Among topics describing music education and the musical experience of pre-school children are: music teaching and learning, classroom and studio pedagogy, formal and informal contexts, as well as private and group instruction. Among possible topics describing music experiences of pre-school children, are: psychological aspects of musical skill and development (related to listening, performing, memory, analysis), and the power of music to enhance general childhood development and care (related to cognitive development, social development,  motor development, emotional development, and health and well-being). Projects investigating parental music engagement, musical experiences in the home, the impact (benefits and costs) of media saturation, music devices, the use of mobile applications, and soundscape studies, are encouraged. Studies seeking to re-evaluate musical development stage theory (i.e., validate or refute accepted stages of normal musical development published prior to year 2000) are welcome. The journal is a multidisciplinary publication with a readership of psychologists, educators, psychiatrists, pediatricians, and social workers.

The Journal publishes papers in all aspects of early child development and care, including descriptive and evaluative articles, as well as experimental and observational studies. Papers which relate specifically to the construction, validation, or evaluation of psychometric devices, measuring instruments, and scales, are not normally published; exceptions may be made if such information is essential in the context of a  substantive research paper. All research articles in the journal undergo a rigorous peer review by at least two anonymous referees.

Submission information and Deadlines

Submission is via ScholarOne Manuscripts Central: https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmc.manuscriptcentral.com%2Fgecd&data=02%7C01%7C%7C8978a3f463fd48b90b8b08d83a0492a9%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C0%7C637323138599148099&sdata=9J%2Bj8YhjoFnx9bq36LkMKo1u3GZBmdymVZT0Z35sTP4%3D&reserved=0

Read our Instructions for Authors for more details on formatting your paper.

Nearing Deadline: Submission: 1st September 2020

For further inquiries, contact Warren Brodsky: wbrodsky@bgu.ac.il

Wednesday, August 5, 2020

Fwd: [DMRN-LIST] Postgraduate Research Opportunities with University of York AudioLab

Please share!

The University of York Department of Electronic Engineering AudioLab York, working in partnership with XR Stories are supporting a range of funded postgraduate research opportunities:

12-Month MSc by Research with Bang & Olufsen (deadline 31-Aug), Exploring Immersion Through Biosensors in Audiovisual Applications:

https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.findaphd.com%2Fphds%2Fproject%2Fexploring-immersion-through-biosensors-in-audiovisual-applications%2F%3Fp106496&data=02%7C01%7C%7Ca6a896b531464ec84e6708d83885d33f%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C1%7C637321494712524192&sdata=ApGKfizHwlBFP6eVlkbpE594FQzCRPqLZ03%2BgvioLYU%3D&reserved=0

Two PhDs with application deadlines approaching (10-Aug), working with BBC R&D:

Context Aware Personalised Audio Experiences:

https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.findaphd.com%2Fphds%2Fproject%2Fcontext-aware-personalised-audio-experiences%2F%3Fp122867&data=02%7C01%7C%7Ca6a896b531464ec84e6708d83885d33f%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C1%7C637321494712524192&sdata=tfneDwSEfofUZ%2FPyp6%2FHpCHtYxLFiiFvr1pDKsAWcS4%3D&reserved=0

Creative affordances of orchestrated devices for immersive and interactive audio and audio-visual experiences

https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.findaphd.com%2Fphds%2Fproject%2Fcreative-affordances-of-orchestrated-devices-for-immersive-and-interactive-audio-and-audio-visual-experiences%2F%3Fp122865&data=02%7C01%7C%7Ca6a896b531464ec84e6708d83885d33f%7C1faf88fea9984c5b93c9210a11d9a5c2%7C0%7C1%7C637321494712524192&sdata=PNu4dkQcDy0W4XW8cElg%2FD4Q61vK9iytM2pfb8nkdoY%3D&reserved=0