Tuesday, November 29, 2022

Fwd: music-data seminar this Thursday

Dear All,
The next seminar of the AHRC funded research network 'Datasounds, Datasets and Datasense' will take place this Thursday, Dec. 1st at 4pm (UK time) online. Professor Ian Cross will be speaking about Music, Speech and Affiliative Communicative Interaction: Pitch and Rhythm as Interactive Affordances


If you wish to join us online please email o.ben-tal@kingston.ac.uk for the link.


Abstract: This paper presents the idea that, across cultures, musical interaction is communicative and intrinsically affiliative, overlapping significantly in function with the phatic speech register.  I will refer to experimental evidence that supports the view that joint music-making and phatic conversation can overlap not just in function but also in form.  I will suggest that what can be interpreted as phatic conversation or as participatory music are manifestations of a superordinate domain of affiliative communicative interaction, and will submit that features that we tend to think of as musical —such as discrete patterns in pitch and rhythm— are best construed not as aesthetic properties but as interactive affordances that may be functional in the achievement of interpersonal affiliative alignment.


Tuesday, November 22, 2022

Fwd: New open access book: Music and Digital Media: A planetary anthropology, edited by Georgina Born (UCL Press)



UCL Press is delighted to announce the publication of a new open access book that may be of interest to list subscribers: Music and Digital Media: A planetary anthropology, edited by Georgina Born. Download it free: https://bit.ly/3AdCSFy

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Music and Digital Media
A planetary anthropology
Edited by Georgina Born

Free download: https://bit.ly/3AdCSFy
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Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies.

Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the 'digital' assume clamouring audibility – while acting as a testing ground for innovations in the digital-cultural industries. The book contains ten chapters, eight of which present comprehensive original ethnographies. The chapters between them addresses popular, folk and art musics in the global South and North, including Kenya, Argentina, India, Canada and the UK/Europe, with each chapter providing a different regional or digital focus.

The book is unique in bringing ethnographic research on popular, folk and art musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology.

Free download: https://bit.ly/3AdCSFy

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uclpress.co.uk | @uclpress


Sunday, November 20, 2022

Fwd: [DMRN-LIST] Deadline approaching: Fully funded PhD in Performing Arts Technology at Michigan



---------- Forwarded message ---------
From: Anıl Çamcı <acamci@umich.edu>
Date: Sat, 19 Nov 2022 at 15:33
Subject: [DMRN-LIST] Deadline approaching: Fully funded PhD in Performing Arts Technology at Michigan
To: <DMRN-LIST@jiscmail.ac.uk>


Dear DMRN list,

This is a friendly reminder that the applications for a fully funded PhD in Performing Arts Technology at the University of Michigan are due by December 10. You can find more information about the program and application procedure below.


The Department of Performing Arts Technology at the University of Michigan's School of Music, Theatre & Dance is now accepting PhD applications for Fall 2023.


Students in the program will benefit from: 

  • individualized attention from a large, accomplished faculty with varied research and creative interests;

  • a flexible curriculum with numerous specialized course offerings that allow for breadth and depth;

  • access to cutting-edge research facilities

  • an inclusive, diverse, and collaborative student community of artists and scholars in a vibrant, comprehensive performing arts school;

  • the material, social, and intellectual resources of one of the top public research universities in the United States; 

  • 5 years of full funding including tuition, a salary stipend, summer stipend, and generous health care benefits;

  • professional and career development opportunities around teaching, research, and performance;

  • many opportunities for additional funding, professional development, academic and community support through the Rackham Graduate School.


Incoming students will complete two years of coursework, including a small core of required courses, cognates, and electives chosen from across four thematic clusters: Interaction Design, Audio Programming, Production, and Intermedia Composition/Performance. Afterwards, PhD candidates will work on a dissertation topic of their own design in close collaboration with a faculty advisory team tailored to the student's interests. The program encourages diverse research methodologies, including practice-based approaches. The program also involves opportunities for gaining teaching experience.


Ongoing faculty research areas include new interfaces for musical expression, data sonification, virtual reality music systems, telematic performance, haptics and accessible music interfaces, digital fabrication for acoustics, computational creativity, antiracist music theories and pedagogies, technical ear training and critical listening, and poetic interactions of sound, image, and story.


Applications for the PhD program are due by December 10. More information and detailed application instructions are available on the program pageApplicants must have completed undergraduate and master's degrees in related fields (e.g., music, music technology, engineering, media arts, computer science) prior to entering the PhD program. Students currently in the final year of a master's degree may apply for admission contingent upon successful completion of their degree. Those interested in a master's program are invited to apply to the MA in Media Arts by December 1 (note the earlier deadline).


If you have any questions about the program, admissions process, or the Department of Performing Arts Technology, feel free to contact the PAT Director of Graduate Studies, Professor Anıl Çamcı <acamci@umich.edu>.


Best,


Anıl Çamcı, PhD
Assistant Professor and Director of Graduate Studies
Department of Performing Arts Technology
School of Music, Theatre & Dance
University of Michigan