Tuesday, February 13, 2018

vacancy for a University Professor (m/f) with extensive practical grounding in Music School Research

Advertisement of a vacancy for a University Professor (m/f) with extensive practical grounding in Music School Research

in accordance with § 99 Section 1 of the Austrian Universities Act (Universitätsgesetz) at the Department of Cultural Management and Gender Studies (IKM) at the University of Music and Performing Arts Vienna.

 

 

As part of its research focus on Music School Research, the Institute for Culture Management and Gender Studies (IKM) at the University of Music and Performing Arts Vienna (mdw) has a vacancy for a University Professor (m/f) of

 

Music School Research

 

which it expects to fill from 1 April 2018.

 

Full/part time: Part time (50%)

Contract type: Fixed-term contract valid for 2 years and 10 months

Minimum salary: Under the terms of the collective agreement the minimum monthly salary is €2,502.55, paid 14 times per annum. A higher salary, contingent on qualifications and previous experience, may be the subject of appointment negotiations.

 

 

Requirements:

·      A PhD degree from an Austrian university or equivalent qualification from a university in another country in a subject relevant to the position to the filled

·      Outstanding scientific qualification for the position to be filled evidenced by publications in relevant fields

·      Accomplishments analogous to a postdoctoral lecturing qualification or a praxis-related research focus in the field of music schools as cultural institutions.

 

Qualifications:

·      Experience of teaching and supervising scientific papers

·      Thorough knowledge and application of relevant research on music schools as cultural institutions in a practical context

·      Knowledge of the practice-oriented implementation of relevant research

·      Experience of attracting third-party funding

·      The necessary pedagogical or teaching experience in the fields of professional training and/or further education

·      Expertise in the field of transdisciplinary research approaches

·      Willingness to work as part of a team and experience of working in a team

·      Active involvement in national and international research networks and partnerships

·      International connections that go beyond the German-speaking countries

 

 

Tasks:

·      Teaching and research in the field of music schools as cultural institutions

·      Conception and establishment of a research network of national, international and European partners engaged in the research focus music schools as cultural institutions of the mdw at the IKM

·      Developing, participating in and conducting research projects in the field of music schools as cultural institutions

·      Transdisciplinary interlinking with existing focal areas of cultural studies and music teaching at the mdw

·      Participating in organisational and administrative tasks, committees and evaluation measures for the mdw and IKM

 

Applications should quote reference number GZ 460/18 and be sent in writing enclosing a CV, list of publications and a summary of previous teaching and lecturing activities to the Universität für Musik und darstellende Kunst Wien, Abteilung für Personalmanagement, Anton-von-Webern-Platz 1, 1030 Wien. The deadline for submitting applications is 7 March 2018 (date as postmark). Application documents will not be returned.

 

As an employer, the mdw-University of Music and Performing Arts Vienna is committed to treating all qualified applicants equally regardless of their gender, sexual identity, sexual orientation, ethnicity, religion, ideology, age or disability.

The University is interested in increasing the share of female employees in research, artistic and general positions and especially in management positions and therefore expressly invites applications from qualified female applicants.

 

Please note that applicants are not entitled to any reimbursement of travelling expenses or other expenses incurred as a result of the selection procedure.

 

 

 

 

Mag.a Ulrike Sych, Rector

 

 

Monday, February 12, 2018

Fwd: Together In Music conference: Registration now open



Apologies for cross-posting.

We are pleased to announce that registration is now open for "Together in Music: Expression, Performance and Communication in Ensembles", taking place 12th -14th April 2018, National Centre for Early Music, York. The conference aims to bring together music performers, academics, and teachers and offer an interdisciplinary perspective on ensemble performance including theory and practice. A provisional programme for the conference is available here: http://wrocahensemble.sites.sheffield.ac.uk/tim/program.

Early bird registration is available until 23rd February and can be accessed via the following link: http://wrocahensemble.sites.sheffield.ac.uk/tim/registration. Registration includes lunch and refreshments, a conference dinner, plus performances and workshops.

Bursaries and awards from SEMPRE and WRoCAH are available for students and unwaged delegates. Details on how to apply for these can be found here: http://wrocahensemble.sites.sheffield.ac.uk/tim/student-awards.

Further information: http://wrocahensemble.sites.sheffield.ac.uk

Monday, February 5, 2018

Fwd: Designing films for visually impaired audiences

Hi everyone!

On the 7th February I'll be giving a talk at King's College London on
'Sound Design and binaural audio for visually impaired film audiences'

The talk will present the concepts, processes and results linked to
the Enhancing Audio Description project (funded by the AHRC), which
seeks to provide accessible audio-visual experiences to visually
impaired audiences using sound design techniques and spatialisation.
Film grammars have been developed throughout history, but such
languages have matured with sighted audiences in mind and assuming
that seeing is more important than hearing. We will challenge such
assumptions by demonstrating how sound effects, first person narration
as well as breaking the rules of sound mixing, can allow us to create
accessible versions of films that are true to the filmmaker's
conception.

The talk is free and open to all, please register by visiting:
https://www.eventbrite.co.uk/e/annual-general-meeting-and-lecture-tickets-41918959737


Best wishes,

Mariana

--
Dr Mariana Lopez
Lecturer in Sound Production and Post Production
Department of Theatre, Film and Television, University of York
Vice-chair of the Audio Engineering Society British Section
Web: http://www.york.ac.uk/tftv/; http://www.marianajlopez.wordpress.com

Fwd: Panel on Gender Equality and the Audio Industries

Hi everyone!

On the 22nd February at 18.30 the Department of Theatre, Film and
Television (University of York) will be hosting an Audio Engineering
Society talk on 'Gender Equality and the Audio Industries' under the
banner of the United Nations HeforShe campaign.

The event is free and open to all. For more information and to
register visit:
https://www.eventbrite.co.uk/e/heforshe-event-gender-equality-and-the-audio-industries-tickets-41600764005

Best wishes,
Mariana
--
Dr Mariana Lopez
Lecturer in Sound Production and Post Production
Department of Theatre, Film and Television, University of York
Vice-chair of the Audio Engineering Society British Section
Web: http://www.york.ac.uk/tftv/; http://www.marianajlopez.wordpress.com

Tuesday, January 30, 2018

Book presentation: An Introduction to Serbian Arts Education

For the celebration of the 10th Anniversary of "Serbian Month in Great
Britain", supported by the Serbian Council in Great Britain
(http://www.serbiancouncil.org.uk/projects/serbian-month/)

You are cordially invited to the presentation of the newly published book

An Introduction to Serbian Arts Education: Critical Perspectives
Edited by Evangelos Himonides, UCL and Vera Milankovic, University of
the Arts Belgrave

published by iMerc Press, on Behalf of the Society for Education,
Music and Psychology Research (SEMPRE) http://www.sempre.org.uk

Friday 2 February 2018, 7pm
Room 938, Core B, Level 9
UCL Institute of Education
20, Bedford Way
London WC1H 0AL

Light snacks and refreshments will be provided.

Thursday, January 25, 2018

PhD funding available

From Sensation and Perception to Awareness
University of Sussex, Leverhulme Doctoral Scholarship Programme
Deadline 5 March
http://www.sussex.ac.uk/internal/doctoralschool/funding/sussexleverhulme

The University of Sussex invites applications for PhD studentship
awards within the University's newly created Leverhulme Doctoral
Scholarship Programme entitled 'From Sensation and Perception to
Awareness'. Projects are offered within and across the following
disciplines:

• Psychology
• Neuroscience
• Physiology
• Artificial intelligence
• Robotics
• Philosophy
• Digital humanities
• Music

Music PhDs include:

- Entrainment and musical experience: New methods for investigating
individual experiences and group dynamics in ensemble music making
- Temporality and rhythmic perception in performance and their
representation in musical consciousness
- Musical composition and perceptions of light and colour



About the programme
The University of Sussex has been awarded one of 12 Leverhulme Trust
grants, totalling £1.05 million, to create a Doctoral Scholarship
Programme entitled 'From Sensation and Perception to Awareness'. This
brings together researchers and doctoral students from across
neuroscience, robotics, psychology and the arts. The ultimate aim of
this research programme is to advance our understanding of the
interactions between sensing, perception, and awareness in humans,
animals, and machines.

Our doctoral scholars will be immersed in an inter-disciplinary
training environment including monthly seminars and an annual
student-led conference on a topic related to the theme. A strong
emphasis is placed on developing technical skills, and we will provide
specialist training in areas such as programming and use of virtual
and augmented reality.

As part of this programme, Sussex will be providing fully-funded
studentships for three cohorts of seven students. The first of these
cohorts will start studying at Sussex in September 2018. Each
successful applicant will receive a tax free stipend at Research
Council rates (currently £14,553 per annum), a Home/EU fee waiver and
generous research and training costs. On completion of their PhD, our
the programme alumni will be eligible to apply for one of several 12
month postdoctoral research fellowships at Sussex, available only to
completing Leverhulme DSP scholars.

Eligibility
Applicants should be UK or EU citizens and should have/expect to have
at least a 2:1 undergraduate honours degree. A master's degree in a
relevant discipline is strongly desirable.

Applicants must have a willingness to participate in interdisciplinary
training and seminars relating to 'sensation, perception, and
awareness'.

How to apply
Applicants should select ONE of the advertised research projects (see
below), and develop this into a more detailed research proposal.
Guidance on writing a research proposal can be found here.

Applicants will then need to apply, through Sussex's online PhD
application form, to the PhD course linked to the department of your
chosen supervisor (e.g. Psychology, Life Sciences) and enter
'Leverhulme' in the sources of funding box.

Your completed application should include your project proposal, your
CV, and any other information requested e.g. degree certificates and
transcripts and English language qualifications.

Timeline
Monday 5 March - Deadline for applications.

Thursday 22 and Friday 23 March - Interviews (note that all interviews
will be conducted by the programme management committee, which is
cross-disciplinary in nature).

Wednesday 28 March - Applicants notified regarding the outcome of
their application.

Contacts
Any questions concerning your chosen research project should be
directed to the project supervisor, as listed on the project
description.

Any questions relating to the Leverhulme Doctoral Scholarship
Programme, or the application process, can be sent to Dean Brooks,
Doctoral School Coordinator, at doctoral-funding@sussex.ac.uk.

Sunday, January 21, 2018

Fwd: Call for Posters: KOSMOS Workshop "Mind Wandering and Visual Mental Imagery in Music", May 16-19, 2018 at HU Berlin

KOSMOS Workshop
"Mind Wandering and Visual Mental Imagery in Music"
Institut für Musikwissenschaft und Medienwissenschaft
Humboldt-Universität zu Berlin
May 16-19, 2018

Confirmed speakers

Prof. Rolf Inge Godøy (University of Oslo)
Prof. Jörg Fachner (Anglia Ruskin University)
Dr Ruth Herbert (University of Kent)
Dr Rebecca Schaefer (University of Leiden)
Dr Anthony Gritten (Royal Academy of Music)
Dr Daniel Margulies (MPI for Human Cognitive and Brain Sciences, Leipzig)
Dr Sebastian Stober (University of Potsdam)

The KOSMOS Workshop will be led by Dr Mats Küssner (HU Berlin), Dr
Liila Taruffi (FU Berlin), Dr Georgina Floridou (University of
Sheffield), and Prof. Tuomas Eerola (Durham University).

Call for Posters

The ability to create a life in the mind is one of the most
fascinating human capacities, and of interest to scholars in the
cognitive sciences and humanities alike. Mind wandering is a very
frequent mental activity that is defined as a shift of our attention
away from the external perceptual environment towards
internally-oriented, self-generated thoughts. These thoughts naturally
flow over time and vary in their content dimensions (e.g., temporal
focus, valence, intentionality) and form (images, music, speech,
words). Mental images can create vivid experiences as our minds start
to wander, and play a major role in creative processes as well as the
perception of art. While researchers have investigated the
significance and nature of visual mental imagery in connection with
literature or visual arts, relatively little is known about the
mechanisms and functions underlying mind wandering and visual mental
imagery in music, even though recent evidence suggests that this is a
common phenomenon. The central research question of this KOSMOS
Workshop is thus what are the cognitive, affective, aesthetic, neural
and phenomenological dimensions of the link between mind wandering,
visual mental imagery and music.

Proposals for posters will be welcomed from researchers in any
discipline from the sciences, social sciences or humanities that may
be able to advance a comprehensive understanding of mind wandering and
visual mental imagery in music.
The following non-exhaustive list illustrates some of the issues to be
discussed at the workshop:

- What is the nature of the link between music listening and visual
mental imagery?
- What are the functional uses of mind wandering and visual mental
imagery in music (e.g., evocation of emotion, enhancing
creativity/creative problem solving)?
- How do structural properties of the music relate to contents of mind
wandering during music listening?
- To what extent does music-elicited mental visual imagery overlap
with perceptual processes in our brain (e.g., in the primary visual
cortex)?
- How do mind wandering and visual mental imagery affect emotional
responses to music (and vice versa)? What is the nature of these
mechanisms?
- To what extent do inter-individual differences in personality traits
play a role for mind wandering and visual mental imagery during music
listening?
- How does basic research on mind wandering and visual mental imagery
in music inform applications of music in health and wellbeing?

Submissions should be made electronically in Word or PDF format to
mats.kuessner@hu-berlin.de by 28 Feb 2018. Please provide your name,
postal and email addresses, and any institutional affiliation on the
first page. Start your abstract on the second page and write no more
than 250 words.

We aim to notify all applicants about the outcome of the reviewing
process by the end of March 2018.

Travel bursaries for early-career researchers

The format of the KOSMOS Workshop particularly welcomes the
participation of early-career researchers (MA/PhD students and
Post-Docs). We are able to provide a limited number of travel
bursaries to help cover some of the costs of attending the KOSMOS
Workshop. To be eligible for a travel bursary, you must be a full- or
part-time student or an unwaged delegate who has been accepted to
participate in the KOSMOS Workshop. To apply, please provide the
following information on a separate sheet of paper: name, affiliation,
contact address, email, status, country of residence and amount of
funding sought. Please explain why you are unable to obtain funding
from other sources and how attendance of this KOSMOS Workshop benefits
your future research. Please submit your application for a travel
bursary together with your proposal for a poster by 28 Feb 2018.

This KOSMOS Workshop is generously supported by
- Future Concept resources of Humboldt-Universität zu Berlin through
the Excellence Initiative of the German Federal Government and its
Federal States.
- The Society for Education, Music and Psychology Research (SEMPRE)
- Guger technologies (g.tec)

Wednesday, January 17, 2018

Fwd: SIG notice: IMR Public Engagement Event: Music and Gentrification - CfP deadline extended

Call for Papers – Music and Gentrification

Public Engagement Event for the Institute of Musical Research

Goldsmiths, University of London, April 6, 2018



This one-day conference aims to address the ways in which music
supports and intersects with gentrification. It is a free event that
encourages dialogue between scholars and members of the public, as
well as between scholars within different disciplines. It is
particularly hoped that the event will be particularly geared towards
group discussions: it will be bookended by short discussions between
confirmed speakers, and a respondent who has worked on music and
gentrification outside of the academy.



Proposals are invited for papers of twenty minutes' length with ten
minute for questions, and shorter papers – of ten minutes with five
minutes for questions, or flexible panels – are particularly
encouraged.



Papers might focus on the following topics:

- How does the performance of music interact with and change urban space?

- How does music compare to visual art, traditionally seen as
the biggest vehicle for gentrification?

- What impact does the phrase 'urban music' have for
gentrification? More broadly, how is gentrification conditioned by
discourse on music?

- What impact do the musical categories of high and low, art and
popular, or underground and mainstream, have for gentrification?

- How does technology help mediate processes of gentrification?

- How are the categories of race, class, and even gender,
implicated in music and gentrification?

- What impact does heritage have for music and gentrification?



For more details on the four confirmed speakers, the rationale behind
the conference, and some bibliographic material, see the event
websitemusicandgentrification@wordpress.com



Please send an abstract of no more than 300 words and a biographic
note of 50-100 words to musicandgentrification@gmail.com by Friday 16
February.





Institute of Musical Research

Senate House

Malet Street

London WC1E 7HU

E: imr@rhul.ac.uk

W: www.the-imr.uk

Facebook | Twitter

Fwd: SIG NOTICE: Call for Reviews Editor: Journal of World Popular Music

  Call for Applications

Reviews Editor for Journal of World Popular Music

 

The editorial team of JWPM seeks to appoint a Reviews Editor for publications and other research-based outputs covering world popular music in all its forms and from a variety of academic and other perspectives.

 

The Reviews Editor is responsible for commissioning, developing and editing reviews of relevant books, special issues, magazines, CDs, websites, DVDs, online music releases, exhibitions, artwork, radio programs and world music festivals. JWPM aims to publish reviews which respond to the latest releases in the fields of popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and/or others.

 

Working closely with the Editor and Assistant Editor, the Reviews Editor identifies publications, exhibitions, conferences, etc. of interest and invites reviewers. After commission, the Editor oversees the writing and editing of each review, up to the point where it is ready for final copy-editing. The Reviews Editor is expected to deliver around 10 reviews per year.

 

The ideal candidate is well connected with scholars working on all aspects of world popular music, and closely monitors the state of the field, with an eye to commissioning reviews that will stand out as lasting contributions to academic debate.

 

Applications should consist of a CV and a brief cover letter (500 words) specifying the candidate's appropriate skills and qualities. Applications should be emailed to Dr Simone Krüger Bridge, Editor-in-Chief (s.kruger@ljmu.ac.uk) by 18 February 2018.

 

The new Reviews Editor will be appointed from 1 March 2018.

 

For further information about JWPM, please see https://journals.equinoxpub.com/index.php/JWPM/index.

 


Tuesday, January 9, 2018

Funded doctoral studentship on Social Impact of Making Music

In co-sponsorship with www.simm-platform.eu Guildhall School is delighted to announce that applications are invited for a fully-funded 3-year doctoral studentship in the area of Social Impact of Making Music.  Closing date for applications is 28th March, with an open day for prospective applicants on 7th February.  The studentship would begin in September 2018.


Full details are here: www.gsmd.ac.uk/simmstudentship


I would be most grateful if you would be able to pass information about this within your relevant networks.  I would be happy to answer questions that individual enquirers might have, as I would expect to be the principal supervisor of the successful applicant.


If you are on twitter, you might care to retweet:

https://twitter.com/johnsloboda/status/950333210348711936